The people that move through my work began as faceless, somewhat androgynous figures that filled my art school architectural renderings; providing scale, certainly, but more significantly, through exaggerated gesture, their good feelings about inhabiting the space. Since 1994, the majority of my work has been committed to canvas, where a more evolved figure is often in an architectural environment. I use no visual references whatsoever. I paint intuitively and let these figures grow and evolve into distinct personalities, interacting with one another in decadent abandon, possibly postulating some vague social commentary.o